Deletion (d) previously reached only top-level folders of editable
stores. /captures now exposes its whole tree: nested folders delete
recursively, single tracks delete their metadata file plus the
downloaded audio next to it (never audio outside the instance root).
Tracks advertise this through the new LibraryNode.tracks_deletable
flag. Because these deletes destroy slow-to-redo downloads, the TUI
asks delete <title>? [y/N] first; cheap deletables (search terms,
bookmarks, saved queues) stay unconfirmed.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The root README covers the binaries, quick start, the config directory,
and links per-provider READMEs; each provider README explains how the
provider works, how it is used from the TUI, and its config file with
every option and default (tidaly.toml, fsdy.toml, ytdy.toml,
cbd-tui.toml). The fsdy README doubles as the reference for the
.cbd-track.toml on-disk format shared by queues, bookmarks, and
captures.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Download captures now write straight into captures/<name>: satisfied
entries are reused, uncapturable tracks are recorded as skipped tomls
(a new fourth playable, marked red in the TUI and skipped by playback
with a bounded pass), and a failed run keeps its progress so capturing
the same name resumes it. The capture RPC replies on acceptance and
streams CaptureProgress over the update stream, rendered as status
lines in the library pane; help and the input overlay warn that
captures are slow. Colored list items switch to a dark foreground
under the focused selection bar so they stay readable.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The /queues and /bookmarks instances now advertise is_downloadable on
every node (new fsdy with_downloadable_nodes option). Because such
captures mix providers, the download sink skips tracks whose source
cannot be captured (unresolvable streams, local file playables) with a
warning instead of aborting; real download failures stay fatal.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
W on a downloadable library node mirrors the subtree into /captures
(a fourth fsdy instance) like a bookmark, but downloads every track's
audio next to its toml; the toml points at the sibling by relative
name, so captures play with no provider round trip. Nodes opt in via
the new is_downloadable flags — Tidal blesses queueable and
track-listing nodes. The bookmark walk is now the shared capture walk
parameterized by a per-track sink.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
w on a queueable library selection snapshots the whole subtree into a
third fsdy instance at /bookmarks: the orchestrator walks the source
iteratively and mirrors it as order-prefixed folders of link track
files (shared naming with queue persistence), tmp-and-swapped with
size caps so a runaway tree cannot fill the disk. One additive rpc,
CaptureLibraryNode(path, name), carries the flow; the TUI reuses the
input overlay prefilled with the selection title.
fsdy instances can now opt into an editable top level: root child
folders carry is_editable/is_deletable and support no-merge rename and
idempotent delete. /bookmarks mounts with it, and /queues too
(reserving current), so saved queues are renamable and deletable
through the existing e/d flows without TUI changes.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Queues now survive restarts, built entirely on the fs provider:
fsdy::Client is instance-mountable and a second, read-only instance
serves <config>/crabidy/queues/ as /queues. Every queue is a folder of
order-prefixed link track files plus a hidden state sidecar, written
only by the new QueueStore (tmp-and-swap). The playback loop streams
every queue change through a latest-wins watch channel to a debouncing
persister task and restores queues/current/ (tracks, position,
modifiers) at startup without autoplay. w on the queue pane asks for a
name and drives the previously stubbed SaveQueue rpc; reloading a
saved queue is just queueing /queues/<name>, since link entries
rewrite to their targets at listing time. The old "no links into /fs"
parse rejection gave way to one-hop link semantics so queues can
reference fs tracks.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
.track.toml was too generic for files that only crabidy understands;
the cbd- prefix makes them unmistakable.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
A new fsdy crate exposes a configured root directory as /fs:
*.track.toml files are track nodes carrying metadata plus exactly one
playable reference — a local audio file, an http(s) URL, or a
crabidy-internal link. Link tracks rewrite Track.path to the target at
listing time, so playback routes through the existing prefix routing;
links into /fs are rejected, making chains impossible. Paths are
percent-encoded segments validated in one place (no root escape), the
orchestrator wires the provider optionally (a broken local config only
costs the /fs subtree), and the default chunked resolve walk provides
progressive queueing for free.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Test User